Rosé and APT. continue to shine on the UK Official Singles Chart, securing the 12th spot this week. While Lisa’s Born Again also performed well, Rosé and APT. gained significant attention for topping US Pop radio for four consecutive weeks. Fans supported Rosé’s strategic move to shift copyright management to the US, seeing it as a practical choice for her global career.
Rosé and APT. Secure Top 12 Spot on the UK Official Chart
Rosé of BLACKPINK, also a successful solo artist, has secured a strong position on the UK Official Chart, one of the world’s top two pop charts alongside the US Billboard. According to the Official Chart on the 21st (local time), Rosé’s collaboration with American pop star Bruno Mars, titled “APT.,” ranked 12th on the Official Singles Top 100 for the week of the 21st to the 27th. While the track dropped four spots from last week’s 8th place, it remains firmly in the upper ranks. Impressively, “APT.” has maintained its presence on the chart for 18 weeks, showcasing Rosé’s enduring global appeal.
Lisa Shines with Born Again While Rosé and APT. Maintain Chart Success
Rosé isn’t the only BLACKPINK member gaining international recognition. Lisa, another member of the group, teamed up with American rapper Doja Cat and British singer-songwriter RAYE for the track “Born Again.” This collaboration reached 34th place on the Official Singles Chart this week. The previous week, “Born Again” debuted at an impressive 13th place, marking Lisa’s highest achievement on this chart. The song has now remained on the chart for two consecutive weeks, further highlighting the global influence of BLACKPINK’s members as solo artists.
Korean Fans Celebrate US Pop Radio Triumph of Rosé and APT.

In the Korean online community MLBPARK, Rosé’s “APT.” sparked discussions due to its outstanding performance on US Pop radio. The song has held the top spot for four consecutive weeks, which is a rare achievement for K-pop artists. Traditionally, even popular K-pop idols have struggled to make a significant impact on American radio. Success on US radio typically requires widespread appeal among the general American public, while K-pop’s popularity has often been more fan-driven. Fans are both surprised and delighted by “APT.”’s success, as it reflects a growing acceptance of K-pop within mainstream American music culture.
Rosé’s Copyright Management Shift to the US
Another hot topic on MLBPARK is Rosé’s recent departure from the Korea Music Copyright Association (KOMCA). Moving forward, all of Rosé’s copyrights will be managed by an American publisher through her current label, Atlantic Records. Atlantic Records collaborates with major US copyright organizations like ASCAP (American Society of Composers, Authors, and Publishers) and BMI (Broadcast Music, Inc.), which handle international copyright management. This approach is commonly chosen by international artists, allowing Rosé to manage her extensive US-based work more efficiently.
Fans’ Reactions and Future Expectations
Fans largely support Rosé’s decision to leave KOMCA, seeing it as a practical move. Managing copyrights separately in Korea and the US would lead to unnecessary double fees. Additionally, some fans noted that Rosé holds dual citizenship in Korea and New Zealand. They emphasized that she has no obligation to stay with KOMCA. While a few expressed concerns that this change might reduce her Korean activities, most believe the two are unrelated. Rosé’s departure from KOMCA does not limit her ability to promote and perform in Korea. This reassures fans of her continued presence in the domestic music scene.

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I missed those random artist collaboration we used to get back in the 2000’s. This has those vibes and I’m all here for it.